Somewhat against my better judgment (solely because I am STILL trying that case and had to spend all day Saturday as well as this morning in the office -- groan), I agreed to go see two "blockbuster" events this weekend -- Hamlet last evening, and Mahler's 9th this afternoon. So here I am, early on Sunday evening, as exhausted as if had been up there on stage with the Prince of Denmark for the three-and-a-half hour play, or conducting the symphony at Avery Fisher Hall!! Don't get me wrong -- I'm not complaining -- but I definitely need a day off to recover from my weekend. No such luck.
Anyhow, my thoughts on these two performances:
I haven't seen Hamlet on the stage in quite some time. (I saw the Kenneth Branagh film version about ten years ago, but took a pass when Ralph Fiennes trod the boards a few years back, despite my lust admiration for him.) So, when my friend "SB" suggested we get tickets for the current Broadway production (transferred from the Donmar in London) starring Jude Law, I was eager to go. (Scroll down and see the Playbill and a "bookish quote" in my post from late last evening.) It was a packed house -- standing room only -- which always adds to the energy of the evening. However, Mr. Law's version of the prince was already so hyper-energetic that he really could have dialed it back a little. (I kept thinking to myself -- "wait a minute -- isn't he supposed to be depressed? More like MANIC if you ask me.") He acquitted himself well, however, in the four soliloquys, and he certainly commands the stage. Ron Cook played Polonius to humorous perfection. I was disappointed in Geraldine James as Gertrude -- rather a blah performance. Ditto the young woman who played Ophelia, although in fairness to the actress they seem to have cut a considerable portion of her part. As for the production as a whole, I loved the minimalist set (all black and grey and brooding), although found the costumes -- particularly the women's -- bizarre. I mean really -- why would Gertrude be wearing a jacket and palazzo pants around the throne room?
During the one fifteen-minute intermission last evening, SB told me she had house seats to the London Symphony Orchestra's performance of Mahler's 9th this afternoon at Avery Fisher Hall, and asked if would I like to go. I of course said yes, not only to the concert but to the pre-performance lecture. Now, I am not someone who downloads Mahler onto my iPod and listens to it as I'm running my errands or blares it at top volume around my apartment, BUT I can and do appreciate the occasional live performance. Our seats were in the fourth row (frankly, a bit too close, acoustically speaking), but I loved it. I could feel the fillings in my teeth vibrate with the timpani. LOL!! It was a real feast of a performance, particularly the lush final movement, and the conductor, Bernard Haitink, took five curtain calls. (Random celebrity sighting: as we filed out of the hall, we spied Alec Baldwin -- who I confess I wouldn't have pegged as a Lincoln Center attendee -- and in true New York fashion absolutely no one paid him the slightest attention.)
As we parted company, SB said, "just think of what we've experienced in the past 24 hours -- last night one of the greatest plays ever written, and today a magnificent piece of music -- and both places were packed to the rafters. There is still something right with the world, kiddo."
Amen.